Category Archives: Writing

The moon and back

On 20 July 1969 I was just seven years old and was sitting in front of a black and white television in a house by the woods in Hampshire in the UK with my parents and my sister.  It was 9.17 pm British Summer Time, and way past my bedtime, but I was not at all tired. I had been glued to the screen for the past three hours. Even my mother, who was a keen homemaker and always focussed on the here and now of domestic arrangements, had paused the washing up to watch events unfold 238,855 miles away.  Two American astronauts had just landed on the Moon.  For me this was the stuff of dreams.  And we were watching it from our sitting room in England.  Buzz Aldrin announced, “The Eagle has landed.” amongst the regular beeps of the carrier signal.  Wow, I thought, they’ve made it.  

“Beat the bloody Russians to it,” my father said.  He had hurdled for the UK combined services team in his youth and was competitive by default.  “And all achieved in miles, feet and inches:  none of that metric rubbish.”

 I wanted to know whether the astronauts could live on the moon and not come home.  “No dear,” my mother said. “They would want to come home to their families.”

My sister was four years old, so probably does not remember any of this now.  She would later, as a teenager, be very interested in “Steve Austin, the world’s first bionic man” but I think mainly from a romantic point of view rather than a scientific one, Lee Majors who played Austin being an American heart throb. She also liked dinosaurs.

My father was in the Royal Engineers, a corps in the British Army, and was keen on maths and making things –  practical things.  So we watched the moon landing and marvelled that the lunar module was so small, that the signals from the moon took so long to get back to earth, that it must be so difficult to control the landing craft’s rockets so that it touched down softly on the lunar surface.  That the moon’s gravity was less than on earth so they bounced around when they walked, and there was no atmosphere.  

I don’t remember us talking much about what is for me now the most remarkable thing about that mission:  the bravery of the astronauts, the risks they were taking, and even that they had no idea if they could actually carry off this amazing feat.  They prepared for years.  They practised with unmanned rockets and landings.  They crashed craft into the moon’s surface.  But they did not know if they would be able to land men on the moon AND get them back again.  And they went for it anyway.  The crew was confident that they could do it, and believed in themselves and the whole team at NASA.  But they didn’t know for certain.  And they went for it anyway.

I was a clumsy child.  It was difficult for me to catch a ball, and I spent many frustrating hours learning to do this with my father.  I fell off my bicycle nearly every day, but I did get back on it again and never gave up trying to get it right.  I tripped over on the pavement, and I was no good at running, coming last in most of the races at the school sports day.  I made Airfix models of planes, boats, and rockets with my father, but he would do most of the delicate handiwork because it never worked out for me.  There would be glue over my fingers, my clothes, the table, the floor.  This drove my mother crazy of course.  

So the story was:  Rupert is clumsy, Rupert is not going to be good at sports, Rupert is slapdash, a thinker not a doer. 

I could read, though.  I came home from school every day of the week and read to my mother from my latest school book, at the kitchen table as she prepared tea or dinner for us.  We had stories before bed and I would read Winnie the Pooh along with my father, doing the voices, him chortling at things too adult for me to understand.  So the story then was:  Rupert might be clumsy, but he is very clever – we mustn’t let him get big-headed about it, though.  “Everyone likes ass, but no-one likes a smart ass” my father would say, which I would not understand until my teens.

Given this narrative, it may seem odd that I decided at the age of about 16 that it would be a good idea to find out about becoming an Army officer.  Odd, because I was thin, not physically fit, sporty or athletic in any way (I could swim very well, but team sports were really not my forte).  Odd because I was painfully shy as an adolescent, and officers were never shy.  They were out in front, the centre of attention, and in charge.  I just was not the go-getter, larger than life type who most of my parents’ Army friends were. But I did want to be. I did not know whether I could bring this off or not, but I resolved to give it a try.

Officer training at the Royal Military Academy Sandhurst was one of the most challenging experiences of my life.  One December night I was  standing in a trench on Salisbury Plain, snow falling around me, cold, wet, hungry, exhausted watching the sun rise. My toothpaste was frozen in its tube.  My face was numb with cold as I shaved.  I could not feel the soles of my feet.  I was miserable,  and wondering why I was there, and what was the point of it all.  

I had got a good degree in Civil Engineering, so I could have been working anywhere in the world, constructing bridges or important public buildings, but no.  I kept going, passed the course and became an officer.  

During the rest of my eight years in the Army I discovered one thing above all about myself, and about other people too:  we can all do much, much more than we ever imagine we can.  

And that includes going to the moon.

Dialogue with James Joyce

“Hi Jimmy, can I call you that?”

“Sure you can Rupert, how are you today?”

“Not bad thanks. I wondered if you could explain to me why you spent so much time writing books which are so hard to understand?”

“Well, that is a good question. Sure, the world is hard to understand, and so is the human race. If you are going to write about important things, it’s going to be difficult to write and difficult to understand, isn’t it?”

“Is that the tootle of the flute?”

“No it’s the blaring of the bum trumpet first thing in the morning begorragh.”

“Thanks for putting me straight there Jimmy.”

“Think nothing of it. But of course I could not think nothing of anything. I thought much about everything. That’s why it took so fekking long to write about it.”

“How did you keep your energy going all that time?”

” Well I think it was about enjoying the process of the writing, and chortling to myself over the little jokes and word plays that I managed to get in there. Norah used to get very chippy about that in bed at night when I chortled. It was the chortle of the portal ha ha.”

“Portal to what Jimmy?”

“Oh I don’t know, the portal to my mind I suppose.”

“So laughing kept you going… what else?”

“It certainly wasn’t the prospect of recognition. The Wake was not well received I can tell you. People were very damning about it, but I thought, you know, just read it, and if you don’t like it, just read it again ha ha.”

“I confess that I have not read Ulysses or the Wake yet, but I have dipped my toe into both. And I loved Dubliners I must say. It felt like I was admitted to a party, even though some of it is quite dark.”

“I’m glad you enjoyed it. Yes they were fun to write. Norah liked them as well, which was nice. And of course the lady in Paris.”

“So why leave Dublin?”

“I had to leave in order to see it clearly. But my mind never left Dublin, even though it also went to Europe. Paris, Zurich, Trieste anyway. They were good places to be. And you could meet so many more people than you could in Dublin. But sure, you sometimes want to be on your own. But I love a chat. That’s the blarney there I think. Now listen, I must be off, I have a bit of gibberish to get down on paper before it flies away ha ha. Seeya Rupert, and great to meet you.”

“Thanks Jimmy, I will keep at it.”

Summer

The calendar Summer ends,

But not in my mind.

The sun burns bright in my breast still.

I won’t say goodbye for another year

Stay here, stay now, near,

My friend, my source, my light,

Burn bright.

The Summer sun refuelling,

Taking on energy to live the rest of the year,

A light bath of renewal.

I leap into Autumn, too soon, too soon,

But I know I can make it to June.

Life advice from the pugs

Meet Olli and Delli, the pugs.

They wrinkle their faces and shrug:

“Unleash yourself from the past, 

It drags you backwards fast.

Fear the future no more,

Nobody knows what’s in store.

Just get the most of now!

Run in puddles, roll in poo, hump that chow.

It works for us anyhow…

…by the way, where are those sausages you mentioned earlier?”

Decline

The beach house he had rented for the week had spent a century facing the sea and gradually getting closer to it.  The hill on which the house stood, forty years earlier, had slipped and the house had come to rest leaning towards the beach in front of it.

But there was no warning sign in the house,  or mention of this deviation from the norm on the website. So Jack was unaware as he entered the house through the front door into the hallway.  His calves felt the gradient as he crossed the hallway to the kitchen. It was like switching the treadmill at the gym to an incline.

He noticed that all the doors either hung wide open, or were shut.  There were none ajar. It was all or nothing. He opened the door into the kitchen and felt its weight leave his fingers and swing fully open as he walked through.

He went through the back door into the sloping garden and looked at the side of the house.  The horizontal boards of the clapboard wall clearly sloped towards the sea. He shuffled along the uneven stone path around the side of the house.  Nothing in this place was straight, level or vertical.

The gulls screeched.  He felt dizzy and had to sit down quickly on the step at the entrance to the glass-sided porch.  The sea was pulling him in. He wanted to slide down over the pebbly beach into the high tide and down to the bottom of the estuary.

He had come to calm down and take stock, not slip away.

The View

Arthur sits alone at the oak dining room table looking at black and white family photos on the wall. Autumn sunlight from the French windows makes them glow orange. Library books lie in neat piles, unread. Crosswords cut from The Daily Mail but left undone are clipped onto a board behind a sharpened pencil. A pork pie from yesterday lunchtime sits on a side plate, half-eaten.

There is a knock at the door, followed by the clicking of a key turning in the lock. His daughter, Sue, comes in smiling, carrying an armful of clean laundry.

Hi Dad.’

Oh, hello dear… was I expecting you?’

Yes, you were. Of course you were. It’s Tuesday.’

Is it?’

She sighs and looks out of the window to see the last remaining leaf on the sycamore tree in the back garden fall onto the lawn.

You need to get dressed Dad. We’re at the doctor’s in fifteen minutes’.

Right-oh dear.’

At the surgery, they sit in the waiting room until the nurse calls them in.

Hello Mr Saunders,’ says the nurse.

Have we met?’ he says.

Oh yes. We see each other every week. Don’t you remember?’ she says. ‘For me to check your blood pressure.’

Do we?… Yes, so we do!’ He smiles.

Sue can’t help rolling her eyes and gives her bobbed hair a wipe over, her palm coming to rest propping up her forehead. The nurse glances at Sue as she takes Arthur’s blood pressure and the machine bleeps.

As they get up to leave she touches Sue on the arm gently.

Are you alright?’

Sue looks at her. A tear beads in the corner of her eye.

Thought not,’ says the nurse. ‘Cup of tea?’

Arthur tucks into a chocolate digestive biscuit and sips his tea. ‘Mmmm,’ he says.

Sue and the nurse talk about what the nurse calls ‘difficult choices’. Arthur listens without appearing to. In the past month, it’s been getting worse. Sue doesn’t know how much longer will he be able to live on his own. He drives her mad, but she can see no way out of his living with her and her family.

Couldn’t you get a carer in?’ the nurse asks.

We can’t afford that. Anyway, I’m not sure he would like a stranger coming in,’ says Sue.

Depends on who it is,’ says Arthur, cutting in.

Wait a minute,’ says the nurse, picking up a local paper from the table in the waiting room. ‘What about this?’

She shows Sue a small box ad towards the back of the paper.

Caring Sharing

Home Share Agency

If you are a senior wanting company

Or a young person wanting a room

Call us on 010-244-6231

Sue decides to call the number when they get home. She finishes her tea, pulls Arthur away from the biscuits, and they go out to the car.

Back at Arthur’s there’s no time like the present. She calls the number. A polite young man answers straightaway and he tells her all about the home share idea. It’s brilliant. Young people can’t afford to buy or rent their own places so close to London, and older people on their own want company and some help with the chores. Matches made in heaven. She makes an appointment for the next day.

They set off in Sue’s Volvo. He’s dressed in the clean clothes she laid out for him on his bed. A clean handkerchief pokes out of his pocket. His hair is brushed.

You’re sure you’re OK with this Dad?’

Yes. I’m looking forward to it. Nice trip out.’

They’re going to ask you lots of questions. Please try to sound normal,’ she says.

Arthur turns and gives her a look. ‘What do you mean normal?’ he says.

He wonders if he’s ever been normal.

The young man on the phone is at reception. He’s maybe twenty-one or twenty-two, skinny, smiley, with smooth, coffee-coloured skin and tight, curly, black hair.

He says, ‘Arthur! Can I call you that?’

Arthur nods.

Cool! I’m Karl. I’ve been looking forward to meeting you.’

Arthur’s eyes open wider. ‘Erm… Good morning… Karl.’

Karl steps round the reception desk and takes them over to some plush armchairs arranged around a coffee table. Once Arthur has arranged his coat and stick by his chair, Karl passes him some papers.

OK Arthur, I just need you to fill out these details for me,’ he says. ‘I can do it with you if you like. No problem.’

Arthur smiles thinly at Sue. Karl explains that it’s a bit like a dating agency. They will try to match Arthur up with someone suitable for him. For the best chance of a match he should only tick the attributes he feels most strongly about. Each tick narrows down the field.

Sue surveys the many testimonials on the walls. Successful matches did occur somehow.

Karl pulls up to Arthur’s chair and reads out each attribute to him, then ticks it if Arthur wants to specify it. Karl certainly has a way with him. They chortle together as they work down the sheet.

A week later Arthur gets a call from the agency. They put all his ticks into the system, and the perfect match turns out to be Karl the receptionist who is looking for a place himself.

Arthur, Sue and Karl meet in a pub the next day. Arthur likes pubs. Sue says it’s the only time he comes alive. She has a Pinot Grigio, Arthur has a glass of house red, and Karl has a Malibu and Coke. She goes to the ladies’ room before they settle down.

Arthur leans over to Karl. ‘She’s told me not to talk about you being black.’

That’s good,’ says Karl. ‘Because I’m not black. I’m mixed race.’

Arthur raises his eyebrows. ‘Oh… any Anglo-Saxon in there?’

Anglo-Saxon is about as common as you can get actually,’ says Karl. ‘So yes, probably.’ He looks Arthur in the eye.

Yes… I suppose you’re right, now I come to think of it.’ Arthur leans back as Sue returns to the table.

Sue is keen to set some boundaries, as she calls them. Karl calls them rules, but he goes along with it. They talk about (not) coming in late, (not) bringing friends back, chores, TV, noise, use of the garden, laundry, cooking and money. Karl listens as she goes down the list, nodding. Arthur says nothing.

Karl says,’ OK, and what about my boundaries?’

What do you mean?’ she says.

Well, I reckon you’re getting a pretty good deal here, Sue. I look after Arthur here for you. You don’t have to be around so much. He gets some company (and trust me, he will now). So, don’t I get some boundaries too?’

Arthur puts his glass down, smiles to himself, and looks at Sue.

Well yes,’ she says. ‘I suppose so…’

And shouldn’t our boundaries be about me and Arthur? Rather than about you?’ says Karl. He turns to Arthur. ‘Is that OK with you, man?’

Arthur says, ‘Yes… That’s OK with me… man.’

A week later Karl moves in. He chooses the room looking down on to the garden – he likes the idea of waking up to the sounds of nature. He carries a suitcase, a laundry bag (half full), a huge, bubble-wrapped flat-screen TV, a crumpled lampshade with burn marks on it, a laptop in a case and a plastic packing box full of pens, pencils, crayons, brushes, paints and paper.

Arthur is sitting in the hallway watching these items as they pass by and up the stairs. Sue stands next to him shifting her weight from foot to foot.

Mind the paintwork, Karl!’ Arthur says.

Don’t worry Arthur, I’m good at this. I’ve been moving this stuff around for years,’ says Karl.

Arthur and Sue hear bumping upstairs as Karl sets things down and shoves them into place. He’s talking to himself very quickly in a syncopated monotone.

What’s he saying?’ asks Arthur.

I think It’s rap, Dad.’ says Sue.

Crap?’

No! RAP.’

They have a month to see how it works out. The next day Arthur gets up as usual at seven. Karl doesn’t. He has to get to work by ten and ends up rushing out of the front door eating a piece of toast at nine-fifty. Arthur gets up to close the door behind Karl, shaking his head. Karl leaves a smell of coconuts in his wake which Arthur quite likes.

When he gets back from work at five, Karl carries in some groceries in plastic bags.

Ready for some tea Arthur?’ he says.

It’s a bit early for me to be honest. I usually go up the pub for a glass of red before dinner. Could we do that first?’ says Arthur.

OK, as long as I can have a bag of crisps – I’ll be starving otherwise,’ says Karl.

The pub is too far to walk but not really far enough to drive. Nevertheless, they go in Arthur’s blue Fiesta. As they walk in under the gaily-coloured flower baskets the chatter inside goes down a notch.

Usual, Arthur?’ says Tom the barman. Arthur nods.

Nice lad, the barman. I’m not sure about that tattoo on his neck though,’ Arthur says, a bit too loudly, to Karl over his shoulder. ‘What would you like anyway?’

Oh… just a Coke please,’ says Karl. ‘And a packet of cheese and onion.’

They take the drinks over to a table in the bay window next to a log-effect gas fire.

I love it here, ‘says Arthur. ‘It’s a real village pub. Not many of those left you know.’

Karl takes this in. Everyone looks well-off, well-fed and white. A group of late-middle-aged men crowd at one end of the bar. They are wearing garish, multi-patterned sweaters and trousers. They greet Arthur.

Oh my God. What have they got on?’ says Karl.

Arthur laughs. ‘They’re golfers.’

Do you play golf then?’ says Karl.

Oh, I used to, yes, of course. Not for a bit now though. My knees can’t take it any more.

In that gear?’ says Karl, sniggering.

Arthur doesn’t want to go into how you can tell a lot about a man from his choice of golf clothes: it has got him into trouble before in here.

On the way home in the car, Arthur suddenly thinks how quickly today has gone.

Inside, Karl cooks them some sausages and mash which Arthur tucks into, making this-is-tasty noises. They chat about Arthur’s family. His wife of 60 years died three years ago. Sue is their only child. She can be a bit edgy, intense even.

Karl says he thinks Sue is lucky. He doesn’t know who his father is; never met him, doesn’t know anything about him. His mother lives in Brixton with his younger brother and sister. She is a cleaner. He doesn’t see much of them. His mother works long hours and the children go to his auntie’s most of the time.

Arthur says, ‘I’m sure she’d like to see you, even so. She must get lonely sometimes.’

I s’pose,’ says Karl, picking up the remote. ‘What’s on TV tonight?’

On Friday night, they are in the pub again. Karl is starting to enjoy this part of their evenings. Arthur is not saying much and gazes out of the window. Karl says, ‘Alright?’

Yes. Yes. I was just thinking about our chat the other night. Look, would you like to see your mother tomorrow? I mean… we could go. In the car. You know? It’s not that far.’

Karl looks up suddenly. ‘Look! I haven’t been back there for over a year now. There’s a reason for that. Leave it, man, OK?’

The golfers fall silent for a few seconds, twisting round to look at them.

Arthur puts his hands up. ‘OK, OK!’ he says, trying to contain his voice in a whisper.

Karl sucks his teeth and shakes his head. He finishes his Coke and stands up. ‘I’m going to walk home. Don’t wait up for me.’ He strides out of the door.

Arthur finishes his red wine and gets in the car. Oh dear. He was only trying to be helpful. There’s no sign of Karl on the way home. He lets himself into the dark house. He doesn’t feel like eating, but there’s no point in going to bed. He won’t sleep anyway. He turns on the TV and sits with a rug over his knees. The evening has become heavy.

Arthur wakes in his chair. Eleven o’clock. No Karl. He goes upstairs to bed.

In the morning, he goes down to make a cup of tea. Should he knock on Karl’s door? He doesn’t think so. That was one of the agreed boundaries. What if Karl doesn’t come back? Or what if he decides to move out? Arthur rests his head in his hands on the table.

Just then, there is movement upstairs. Arthur lets out a long breath and looks up. He hears footsteps coming down the stairs, and Karl walks in. They look at each other. Karl nods hello. He sits down opposite Arthur. ‘You gonna make me a cup of tea then?’ he says. He smiles.

I’m sorry I upset you last night,’ says Arthur, avoiding eye contact. ‘It’s none of my business. I should never have brought it up.’

No, Arthur. I’ve thought about it. And you are right. I should go and see her. It’s been too long.’

Arthur raises his eyebrows.

Anyway. I thought you weren’t good at remembering conversations the next day.’

Oh no. I remember them. If they’re worth remembering, that is.’

They find themselves outside in the Fiesta at ten o’clock. Karl says he knows the way from Brixton station, so they are going to head there first. Arthur gets the map out of the glove compartment and puts it on Karl’s lap. ‘Pretty straightforward really,’ he says, pointing out the route with the end of his car key.

We’ll see!’ laughs Karl, who has not done much map reading before, except on the tube.

How can you get through life without looking at a map?’ says Arthur.

Arthur hasn’t been to South London for a long time. He was born, and grew up there.

Karl can’t imagine Arthur as a boy.

They reach Brixton without mishap.

Arthur, do you mind if we stop for a coffee before we get to my mum’s?’ says Karl.

Arthur looks at him. ‘Are you sure you want to do this?’

Yeah, yeah. I just need to get my shit together first, man. You know.’

They park in a side road and find a small cafe on the corner. They sip cappuccinos and Arthur tackles a slice of Victoria sponge. He watches Karl as he looks out of the window at the passers-by. ‘Nervous?’ he says.

Not really. It’s just … a lot’s happened round here for me,’ says Karl.

Me too,’ says Arthur. ‘I used to cycle past here every day on my way to school. I don’t think I would do that nowadays.’

Karl smiles. ‘I used to walk to school. When I went, that is. I hated it. Most of the time we just used to bunk off.’

Arthur says, ‘On the subject of bunking off, Sue’s a bit put out I think.’

Oh, why?’

I think she is surprised I’m with you… doing this. I normally go over to hers today. I spoke to her while you were getting ready.’

Maybe she’s jealous,’ says Karl.

Karl’s mother lives in a council tower block a few minutes away from the cafe. They pull into the parking area. Arthur has never been in a tower block before and he’s looking forward to the ride in the lift.

You’ll be lucky!’ says Karl. ‘It’s never working.’

But it was.

When she answers the door, Karl’s mother is short but large, in a floral apron. Her round, red-rimmed eyes open wide and her mouth sags, soundless. She has no phone. She had no idea Karl was coming.

Hi Mum,’ says Karl.

She is crying, tears rolling down her cheeks. Her whole body seems to heave with her sobbing. Her ample arms fold Karl’s head into her neck so that he is bent over as if at a drinking fountain.

Mum. This is Arthur. Arthur, this is my mum, Lydia.’ He hadn’t really thought about what to say next. ‘Erm… Arthur is my…’

friend,’ says Arthur. ‘Look, I can wait in the car, Karl. It’s no problem.’

You will not!’ says Lydia, standing back from the door and wiping her cheeks with the apron. ‘It’s nearly lunchtime. You must stay. Karl! Move those toys off the sofa so your friend can sit down.’

Can I look at the view first?’ says Arthur.

They stand in a row: Arthur on the left, then Lydia, then Karl, looking out of the wide east-facing window. She holds both their hands.

They stand staring at the scene below in silence, connected. A sycamore leaf wafts past the window, caught in an up draft.

Lydia squeezes their hands. ‘When you’re down there it’s pretty ugly and dirty. From up here it always looks beautiful.’

Sorry folks

I am sorry I haven’t been on here for a bit.  There are many reasons for that, but none of them really good ones.  So I am back.

I submitted the final assignment on Monday and got the feedback, as usual, very quickly from my tutor.  YAY!  She likes it.  So now I will update the version on here to reflect her suggested amendments.

Next I am doing screenwriting.  Looking forward to it enormously.  Here are the details of the course if anyone is interested:

https://www.oca.ac.uk/courses/creative-writing-courses/creative-writing-1-scriptwriting/